I'm Paul Ramírez — broadcast and live-entertainment motion designer based in Mexico City. I build graphic systems for sports television, concert tours, and brand campaigns. On-air at Fox Sports, beIN Sports USA. On stage with Los Bukis and Marco Antonio Solís.
Six case studies across broadcast graphics, concert visuals, branded motion, and 3D / VFX.
Full on-air package: openers, full-screens, lower thirds, score bugs, and videowall loops for the 2025 season. Bilingual (ES/EN) production covering WAFCON, Ligue 1 / Ligue 2, UEFA Champions League, and Formula 1.
Reusable After Effects template system built from scratch for recurring broadcast segments. Air-ready delivery under strict brand guidelines, with fast iteration cycles between producers, editors, and directors.
Main stage visuals for the Marco Antonio Solís and Los Bukis international tours (USA & Latin America). 2D/3D sequences built for multi-screen touring configurations, tuned song-by-song for rhythm, atmosphere, and narrative.
Large-scale concert visuals for Palacio de los Deportes, plus procedural animation sequences projected across Cinépolis theaters nationwide. Estimated 11M+ viewers reached between cinema and streaming.
Motion and design for Adidas, Nike, HBO Max, Puma, TNT Sports, FedEx, Gillette, Tecate, and Gamesa. Multi-format adaptations (9:16, 1:1, 16:9) with strict brand consistency across campaigns reaching 14M+ followers.
Procedural simulations — particles, vellum, physics dynamics — integrated with After Effects compositing pipelines. Supervised supporting work on commercial VFX projects, plus personal 3D explorations in Blender and ZBrush.
I've spent the last six years making graphics that have to survive live television, arena-scale projection, and brand scrutiny — sometimes all in the same week.
I started in sports media at Fútbol Sites / Tikitaka, where I cut my teeth producing motion content for accounts with 14M+ followers across Latin America. That's where I learned how to work fast, iterate under feedback, and keep brand consistency across dozens of deliverables.
Then I moved into broadcast at Mediapro, designing on-air graphics for Fox Sports and beIN Sports USA. Show days there look like this: 14 videowall loops, 10 full-screens, 1–2 revision cycles, and a hard deadline before airtime. That discipline changed how I build everything — now I think in systems, not assets.
In parallel I freelance on live entertainment — concert visuals for Los Bukis and Marco Antonio Solís World Tours, procedural 3D for Cinépolis theater sequences with Supernova, and VFX support for commercial work with Javich & Co.
Currently based in Mexico City, working remote for teams in the US and Europe. Open to full-time, contract, and freelance.
Download CV (PDF) →After Effects · Broadcast graphics · Lower thirds · Score bugs · Openers · Full-screens · Template systems · Arena / Resolume · Videowall
Photoshop · Illustrator · InDesign · Typography · Key visuals · Brand systems · Social media · Multi-format campaigns
Blender · Houdini (particles, vellum, dynamics) · Cinema 4D · Maya · ZBrush · Substance Painter · Nuke · Unreal Engine 5
Premiere Pro · Short-form (TikTok / Reels / Shorts) · Captions · H.264 delivery · Figma · Asset organization